production notes

production notes

the threshold

the threshold

the story

the story

overview

overview

Location; Lumber city combat sports

camera: sony fx30

lens: tamron 17-70

frame rate: 30fps

Editing Software: davinci resolve

music: johnny's p caddy, by benny the butcher

days filmed: 1

runtime: 1 minute 26 seconds

Location; Lumber city combat sports

camera: sony fx30

lens: tamron 17-70

frame rate: 30fps

Editing Software: davinci resolve

music: johnny's p caddy, by benny the butcher

days filmed: 1

runtime: 1 minute 26 seconds

a threshold is crossed long before anyone notices.

this archive explores the moment meraki stopped

feeling like an aspiration and started becoming

tangible.

what appeared to be another event

became the foundation for future opportunities,

proving that consistent work has a way of opening

doors long before you ever knock on them.

A THRESHOLD IS CROSSED LONG BEFORE ANYONE

NOTICES.

THIS ARCHIVE EXPLORES THE MOMENT MERAKI

STOPPED

FEELING LIKE AN ASPIRATION AND STARTED

BECOMING TANGIBLE.

WHAT APPEARED TO BE ANOTHER EVENT BECAME

THE FOUNDATION FOR FUTURE OPPORTUNITIES,

PROVING THAT CONSISTENT WORK HAS A WAY

OF OPENING DOORS LONG BEFORE YOU EVER

KNOCK ON THEM.

some opportunities announce themselves.

others arrive quietly, disguised as another day of work.


weeks before the event, i reached out to tommy, the owner of lumber city combat sports, with a simple proposal: allow me to document the promotion at no cost.

my intention wasn't immediate compensation, it was to create something meaningful.

every project completed under meraki becomes another layer of its foundation,

another piece of evidence that vision has value before it has recognition.


when event day arrived, there were no rehearsals, no second takes, and no blueprint to follow. lumber city combat sports was hosting its first event,

and like any first chapter, it unfolded with constant unpredictability. every moment demanded adaptation.

every frame had to be earned in real time.


by the end of the night, i wasn't thinking about what had gone wrong.

i was thinking about what had been captured.


the following day was spent shaping those moments into a recap film. what began as a simple event video evolved into something much larger.

the finished piece reached people i had never expected, creating conversations, new opportunities, and eventually

the realization that the footage itself had a longer life than a single highlight reel.

that realization itself became the foundation for lunching full fight archives through obregon.collective, allowing every athlete to revist

their performance while extending the reach of ,eraki beyond the event itself


looking back, the event was never just about recording fights.


it became proof that one opportunity, approached with intention, can reveal opportunities you never knew existed.

what started as a camera in hand became a new direction for meraki


one where every project has the potential to become the threshold for the next.

SOME OPPORTUNITIES ANNOUNCE THEMSELVES.

OTHERS ARRIVE QUIETLY, DISGUISED AS ANOTHER DAY OF WORK.


WEEKS BEFORE THE EVENT, I REACHED OUT TO TOMMY, THE OWNER OF LUMBER CITY COMBAT SPORTS, WITH A SIMPLE PROPOSAL:

ALLOW ME TO DOCUMENT THE PROMOTION AT NO COST.

MY INTENTION WASN'T IMMEDIATE COMPENSATION, IT WAS TO CREATE SOMETHING MEANINGFUL.

EVERY PROJECT COMPLETED UNDER MERAKI BECOMES ANOTHER LAYER OF ITS FOUNDATION.

ANOTHER PIECE OF EVIDENCE THAT VISION HAS VALUE BEFORE IT HAS RECOGNITION.


WHEN EVENT DAY ARRIVED, THERE WERE NO REHEARSALS, NO SECOND TAKES, AND NO BLUEPRINT TO FOLLOW.

LUMBER CITY COMBAT SPORTS WAS HOSTING ITS FIRST EVENT.

JUST LIKE ANY FIRST CHAPTER, IT UNFOLDED WITH CONSTANT UNPREDICTABILITY. EVERY MOMENT DEMANDED ADAPTATION.

EVERY FRAME HAD TO BE EARNED IN REAL TIME.


BY THE END OF THE NIGHT, I WASN'T THINKING ABOUT WHAT HAD GONE WRONG.

I WAS THINKING ABOUT WHAT HAD BEEN CAPTURED.


THE FOLLOWING DAY WAS SPENT SHAPING THOSE MOMENTS INTO A RECAP FILM.

WHAT BEGAN AS A SIMPLE EVENT VIDEO EVOLVED INTO SOMETHING MUCH LARGER.

THE FINISHED PIECE REACHED PEOPLE I HAD NEVER EXPECTED, CREATING CONVERSATIONS, NEW OPPORTUNITIES, AND

THE REALIZATION THAT THE FOOTAGE ITSELF HAD A LONGER LIFE THAN A SINGLE HIGHLIGHT REEL.

THAT REALIZATION ITSELF BECAME THE FOUNDATION FOR LAUNCHING FULL FIGHT ARCHIVES THROUGH OBREGON.COLLECTIVE,

LOOKING BACK, THE EVENT WAS NEVER JUST ABOUT RECORDING FIGHTS.


IT BECAME PROOF THAT ONE OPPORTUNITY, APPROACHED WITH INTENTION, CAN REVEAL OPPORTUNITIES YOU NEVER KNEW

EXISTED.

WHAT STARTED AS A CAMERA IN HAND BECAME A NEW DIRECTION FOR MERAKI.


ONE WHERE EVERY PROJECT HAS THE POTENTIAL TO BECOME THE THRESHOLD FOR THE NEXT.