production notes
production notes
the threshold
the threshold
the story
the story
overview
overview
Location; Lumber city combat sports
camera: sony fx30
lens: tamron 17-70
frame rate: 30fps
Editing Software: davinci resolve
music: johnny's p caddy, by benny the butcher
days filmed: 1
runtime: 1 minute 26 seconds
Location; Lumber city combat sports
camera: sony fx30
lens: tamron 17-70
frame rate: 30fps
Editing Software: davinci resolve
music: johnny's p caddy, by benny the butcher
days filmed: 1
runtime: 1 minute 26 seconds
a threshold is crossed long before anyone notices.
this archive explores the moment meraki stopped
feeling like an aspiration and started becoming
tangible.
what appeared to be another event
became the foundation for future opportunities,
proving that consistent work has a way of opening
doors long before you ever knock on them.
A THRESHOLD IS CROSSED LONG BEFORE ANYONE
NOTICES.
THIS ARCHIVE EXPLORES THE MOMENT MERAKI
STOPPED
FEELING LIKE AN ASPIRATION AND STARTED
BECOMING TANGIBLE.
WHAT APPEARED TO BE ANOTHER EVENT BECAME
THE FOUNDATION FOR FUTURE OPPORTUNITIES,
PROVING THAT CONSISTENT WORK HAS A WAY
OF OPENING DOORS LONG BEFORE YOU EVER
KNOCK ON THEM.

some opportunities announce themselves.
others arrive quietly, disguised as another day of work.
weeks before the event, i reached out to tommy, the owner of lumber city combat sports, with a simple proposal: allow me to document the promotion at no cost.
my intention wasn't immediate compensation, it was to create something meaningful.
every project completed under meraki becomes another layer of its foundation,
another piece of evidence that vision has value before it has recognition.
when event day arrived, there were no rehearsals, no second takes, and no blueprint to follow. lumber city combat sports was hosting its first event,
and like any first chapter, it unfolded with constant unpredictability. every moment demanded adaptation.
every frame had to be earned in real time.
by the end of the night, i wasn't thinking about what had gone wrong.
i was thinking about what had been captured.
the following day was spent shaping those moments into a recap film. what began as a simple event video evolved into something much larger.
the finished piece reached people i had never expected, creating conversations, new opportunities, and eventually
the realization that the footage itself had a longer life than a single highlight reel.
that realization itself became the foundation for lunching full fight archives through obregon.collective, allowing every athlete to revist
their performance while extending the reach of ,eraki beyond the event itself
looking back, the event was never just about recording fights.
it became proof that one opportunity, approached with intention, can reveal opportunities you never knew existed.
what started as a camera in hand became a new direction for meraki
one where every project has the potential to become the threshold for the next.
SOME OPPORTUNITIES ANNOUNCE THEMSELVES.
OTHERS ARRIVE QUIETLY, DISGUISED AS ANOTHER DAY OF WORK.
WEEKS BEFORE THE EVENT, I REACHED OUT TO TOMMY, THE OWNER OF LUMBER CITY COMBAT SPORTS, WITH A SIMPLE PROPOSAL:
ALLOW ME TO DOCUMENT THE PROMOTION AT NO COST.
MY INTENTION WASN'T IMMEDIATE COMPENSATION, IT WAS TO CREATE SOMETHING MEANINGFUL.
EVERY PROJECT COMPLETED UNDER MERAKI BECOMES ANOTHER LAYER OF ITS FOUNDATION.
ANOTHER PIECE OF EVIDENCE THAT VISION HAS VALUE BEFORE IT HAS RECOGNITION.
WHEN EVENT DAY ARRIVED, THERE WERE NO REHEARSALS, NO SECOND TAKES, AND NO BLUEPRINT TO FOLLOW.
LUMBER CITY COMBAT SPORTS WAS HOSTING ITS FIRST EVENT.
JUST LIKE ANY FIRST CHAPTER, IT UNFOLDED WITH CONSTANT UNPREDICTABILITY. EVERY MOMENT DEMANDED ADAPTATION.
EVERY FRAME HAD TO BE EARNED IN REAL TIME.
BY THE END OF THE NIGHT, I WASN'T THINKING ABOUT WHAT HAD GONE WRONG.
I WAS THINKING ABOUT WHAT HAD BEEN CAPTURED.
THE FOLLOWING DAY WAS SPENT SHAPING THOSE MOMENTS INTO A RECAP FILM.
WHAT BEGAN AS A SIMPLE EVENT VIDEO EVOLVED INTO SOMETHING MUCH LARGER.
THE FINISHED PIECE REACHED PEOPLE I HAD NEVER EXPECTED, CREATING CONVERSATIONS, NEW OPPORTUNITIES, AND
THE REALIZATION THAT THE FOOTAGE ITSELF HAD A LONGER LIFE THAN A SINGLE HIGHLIGHT REEL.
THAT REALIZATION ITSELF BECAME THE FOUNDATION FOR LAUNCHING FULL FIGHT ARCHIVES THROUGH OBREGON.COLLECTIVE,
LOOKING BACK, THE EVENT WAS NEVER JUST ABOUT RECORDING FIGHTS.
IT BECAME PROOF THAT ONE OPPORTUNITY, APPROACHED WITH INTENTION, CAN REVEAL OPPORTUNITIES YOU NEVER KNEW
EXISTED.
WHAT STARTED AS A CAMERA IN HAND BECAME A NEW DIRECTION FOR MERAKI.
ONE WHERE EVERY PROJECT HAS THE POTENTIAL TO BECOME THE THRESHOLD FOR THE NEXT.